Previews
The music
Andy Solan creates pop songs shaped by the experience of the dancefloor.
Electronic pulse, groove, and club textures create an intimate, emotional mode of listening in which the body is also involved. These are not songs made for dancing, but songs in which the dancefloor operates as a language — a symbolic space where desire, solitude, encounter, and displacement take form.
The music is organized through a logic in which each song defines its own environment. Rather than settling into a single style, it draws from different languages of electronic music — house, ambient, techno, and acid. At times, these structures are inflected by elements of acid jazz, introducing variations in groove, a certain rhythmic looseness, and subtle shifts in listening, softening the rigidity of electronic form and expanding the nuance of the songs. Each track activates these elements according to what is being lived: the song calls for the rhythm, texture, and intensity it requires.
These references do not appear as a sum of styles, but as parts of a single sonic landscape that reorganizes itself with each track. The result is a field in which color, weight, and dynamics follow the emotional state of the song, extending what is being expressed.
Rhythm structures time and sustains bodily movement. Textures, layers, and variations in arrangement do not simply create atmosphere — they shape the listening itself. Entries and exits of elements, shifts in intensity, and changes in density guide the progression of the track, transforming its surface over time.
Here, the dancefloor is not only a physical space, but a listening condition: a state of presence in which the body follows the pulse.
Andy Solan
Andy Solan is an artist persona created by André Martinez, a Brazilian artist working across music, audiovisual, design, and generative media.
Andy is based on André’s 1990s self, returning to a time when these experiences were lived without the language to name them.
With the poetic license this construction allows, Andy inhabits a time — a “before”: a moment prior to the turn of the millennium, when the experiences we now recognize were already being lived but had not yet taken shape in language. They were felt, moved through the body, and appeared as emotional accounts — without names, without stable form, without the parameters that today allow us to identify them.
From that position, he observes the present — relationships, encounters, the desire to be seen — through a gaze that does not organize feeling into categories or turn experience into judgment. Experience remains as sensation, lived as it unfolds.
Scenes do not appear as complete stories, but as fragments: bonds that persist even when they no longer work, encounters that do not resolve, situations that remain open. What matters is not resolution, but the state in which these relations exist.
This mode of construction is sustained by proximity. The scenes are not observed from a distance or turned into analysis. They remain within the experience.
Music and lyrics are written by André Martinez, with melodies and harmonies developed with his brother Carlos. The vocal performance is hybrid, partly captured and partly synthesized.
This is also a project of authorial aesthetic research. The artist’s universe and the construction of the persona stem from a meticulous process, carried out with precision and sensitivity. Each track functions as a field of experimentation, where form, language, and experience interact.
Generative artificial intelligence enters this process as a production tool, becoming part of a broader investigation into the impact of radical technological transformations on artistic languages and practices.